From Leibniz's belief that the "I Ching" illustrated the principles of calculus to Marco Polo's mistaking a rhinoceros for a unicorn, Umberto Eco offers a dazzling tour of intellectual history, illuminating the ways in which we project...
"[READING ECO is a timely indication] of the fruitfulness of perceiving Eco as the same in his metamorphoses. [It also testifies] to a certain price that Eco and his readers must/may pay for the enormous pleasure and intellectual stimulus of being...
"Eco's essays read like letters from a friend, trying to share something he loves with someone he likes. . Read this brilliant, enjoyable, and possibly revolutionary book." âGeorge J. Leonard, San Francisco Review of Books...
The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate.When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective. He...
The limits of interpretation--what a text can actually be said to mean--are of double interest to a semiotician whose own novels' intriguing complexity has provoked his readers into intense speculation as to their meaning. Eco's illuminating and...
Eco displays in these essays the same wit, learning, and lively intelligence that delighted readers of The Name of the Rose and Foucault's Pendulum. His range is wide, and his insights are acute, frequently ironic, and often downright funny. Translated...
More than twenty years after its original appearance in Italian, The Open Work remains significant for its powerful concept of "openness"--the artist's decision to leave arrangements of some constituents of a work to the public or to chance--and...
In this collection of nine essays, Umberto Eco sets forth a dialectic between 'open' and 'closed' texts, between a work of art that actively involves the 'addressee' in its production and one that holds the 'addressee' at...
" . . the greatest contribution to [semiotics] since the pioneering work of C. S. Peirce and Charles Morris." âJournal of Aesthetics and Art Criticism