Este volumen recoge, por primera vez, el epistolario completo entre Manuel de Falla y los Martínez Sierra, María y Gregorio, contextualizado y cuidadosamente anotado. Fue la suya una relación profesional intensa y fecunda, que en buen...
Tras el traslado de Manuel de Falla a Madrid para desarrollar sus estudios musicales a finales del siglo XIX, el compositor estableció amistad con un grupo de jóvenes que formaron lo que ellos mismos denominaron una ?Peña Líric...
Este volumen recoge el epistolario más íntimo de la correspondencia de Manuel de Falla, mostrándonos complejos aspectos de su personalidad, como su delicada salud, condicionante de su carácter y de su obra. El estudio ha corrid...
Este catálogo muestra la colaboración de Falla con Manuel Ángeles Ortiz con ocasión del estreno en París y las representaciones de Sevilla (1925) y Amsterdam (1926) de El retablo de maese Pedro. Reproducciones de algunos...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore,...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore,...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore,...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore,...
Falla's showpiece El Amor Brujo (The Phantom Lover) was first composed as a gitaneria for voice, actors and chamber orchestra in 1914-15. He later prepared a version for voice and orchestra which was premiered the next year. This was in turn transformed...
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